★ Single-channel monthly sales exceed 30,000 copies. On Fanqie Novel (China’s top online literature platform with over 500 million global registered users, similar to the international platform Wattpad), the peak number of concurrent readers exceeds 300,000, leading the industry in reader engagement and dissemination power.

★ Integrates four core elements: "multiverse time travel + contrasting character counterattack + episodic plot + black humor", perfectly catering to global readers’ emotional needs for "breaking conventions" and "fun adventures". It can be compared to the core appeal of popular international IPs such as Black Mirror (episodic stories) and Jupiter’s Legacy (superpower counterattack).

★ Chinese online literature is a world-leading literary and entertainment category with an annual overseas export scale exceeding 3 billion RMB. As a popular subgenre, "quick transmigration" has accumulated over 3.8 billion views on overseas translation platforms (e.g., Webnovel), possessing a mature audience base.

★ Features outstanding potential for film and television adaptation. The "episodic stories + diverse genres + high adaptability" type fits well with multiple tracks (fantasy, suspense, romance) of overseas streaming platforms (e.g., Netflix, Disney+). Each individual story can be independently adapted into short dramas or series, offering high flexibility in development.

In the cosmic realm, the accumulated resentment of countless "villainesses" (similar to the Western concept of "villainess", female characters who hinder the protagonists in stories) has formed a malicious aura that offends the authority of the Cosmic Deity (similar to the Western concept of "cosmic deity", the supreme being governing the order of time and space). To resolve the crisis, the Fifteenth Divine Officer is ordered to find a suitable task executor, and finally sets his sights on an extraordinary woman in hell—Jiang Zhenzhen. Though residing in hell, she tramples on "demons and ghosts" (similar to the Western concept of "demons and ghosts", referring to various evil spirits), with a notorious reputation that strikes fear into people’s hearts, making her the perfect candidate for the mission.

When the Fifteenth Divine Officer finds Jiang Zhenzhen among a group of terrifying ghosts, he is shocked: the girl before him wears a white dress, looking timid yet hiding cunning in her eyes, completely out of place with the bloody atmosphere of hell. Faced with the invitation to take on the villainess mission, Jiang Zhenzhen curls her lips into a smile and readily agrees: "I’ll take this job!"

Her core mission is clear: to travel through different "parallel universes" (similar to the Western concept of "parallel universes", independent time-space dimensions) with a "truly vicious" persona. Without killing the male and female protagonists, she must make those targets with inherent "protagonist privilege" (similar to the Western concept of "protagonist privilege", the inherent luck and advantages of protagonists) and hypocritical "fake innocents" (similar to the Western concept of "fake innocent", people who appear pure but are actually scheming) suffer intensely, while protecting her own family. In each episodic world, Jiang Zhenzhen breaks free from the constraints of the original plot, retaliates against schemes with ruthless methods, and specifically targets all unreasonable protagonist privileges.

During the process, her interactions with the "mission AI" (similar to the Western concept of "mission AI", an intelligent assistant guiding task completion) are full of humor. Her sharp remarks contrast sharply with the AI’s prompts, and lines like "Crueler than hell" never fail to amuse readers. From the ancient world where she outwits the Crown Princess (the spouse of an ancient noble), to various parallel universes with distinct styles, Jiang Zhenzhen completes her counterattack in her unique "vicious" way, interpreting a series of diverse quick transmigration legends with both sweetness and sorrow. The entire book has a clear episodic structure, which not only satisfies readers’ expectations for fresh plots but also maintains the appeal of the core character, perfectly aligning with global readers’ demand for "breaking rules + fun adventures".

Chapter 001: Not Being a Discarded Princess (1)
Chapter 002: Not Being a Discarded Princess (2)
Chapter 003: Not Being a Discarded Princess (3)
Chapter 004: Not Being a Discarded Princess (4)
Chapter 005: Not Being a Discarded Princess (5)
Chapter 006: Not Being a Discarded Princess (6)
……