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Review
“It would be difficult not to be left spellbound by her lucid, truly captivating writing.”
Pilar Castro, El Cultural
Description
The female characters in Ejercicios de inmovilidad feel a bitter estrangement from the world around them. Afflicted by paralysing indolence, these gallery owners, writers, muses, and carers condemned to seclusion in disquieting liminal spaces know that something is lacking. The refined narrative voice of Sònia Hernández, inheritor of the best literature of the absurd, constructs a tangible reality that then becomes a toehold for words giving shape to disconcerting stories that venture into the meanderings of fantasy, while also testifying to the skills of a born storyteller.
Author
Sònia Hernández (Terrassa, 1976) has published four collections of poems—La casa del mar (2006), Los nombres del tiempo (2010), La quietud de metal (2018), and Del tot inacabat (2018)—two of short stories—Los enfermos erróneos (2008) and La propagación del silencio (2013)—and the novels La mujer de Rapallo (2010), Los Pissimboni (Acantilado, 2015), El hombre que se creía Vicente Rojo (Acantilado, 2017) and El lugar de la espera (Acantilado, 2019). In 2010, Granta included her in its selection of the best young Spanish fiction writers. She is a frequent contributor to Cultura|s, the literary supplement of the daily La Vanguardia.
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