*Shortlisted for the 2020 NSW Premier's Literary Award for Non-fiction; longlisted for the 2019 Stella Prize and 2020 Nib Award for research.

Our bodies and homes are our shelters, each one intimately a part of the other. But what about those who feel anxious, uncomfortable, unsettled within these havens? In The World Was Whole, Fiona Wright examines how we inhabit and remember the familiar spaces of our homes and suburbs, as we move through them and away from them into the wider world, devoting ourselves to the routines and rituals that make up our lives. These affectingly personal essays consider how all-consuming the engagement with the ordinary can be, and how even small encounters and interactions can illuminate our lives.

Many of the essays are set in the inner and south-western suburbs of a major Australian city in the midst of rapid change. Others travel to the volcanic coastline of Iceland, the mega-city of Shanghai, the rugged Surf Coast of southern Victoria. The essays are poetic and observant, and often funny, animated by curiosity and candour. Beneath them all lies the experience of chronic illness and its treatment, and the consideration of how this can reshape and reorder our assumptions about the world and our place within it.

Fiona Wright is a writer, editor and critic from Sydney. Her book of essays Small Acts of Disappearance: Essays on Hunger won the 2016 Nita B. Kibble Award and the Queensland Literary Award for non-fiction, and was shortlisted for the Stella Prize and the NSW Premier’s Douglas Stewart Award. Her first poetry collection, Knuckled, won the 2012 Dame Mary Gilmore Award, while Domestic Interior was shortlisted for the 2018 Prime Minister’s Literary Award for Poetry. Her most recent book of essays, The World Was Whole, was longlisted for the 2019 Stella Prize.