The end of the 20th century has renewed an interest in the end of the 19th century, in particular the aesthetes and fin-de-siecle writers of France who influenced writers like Oscar Wilde and pointed toward modernists such as James Joyce, Ezra Pound, and T.S. Eliot. Coined by Baudelaire to describe Edgar Allan Poe, Decadence represented an aesthetic/aristocratic attack on bourgeois culture, exploring themes of art, deviance, perversion, and marginalization. Editor Hustvedt has collected translations of 12 short novels or selections by Barbey d'Aurevilly, Joris-Karl Huysmans, Villiers de L'Isle-Adam, Remy de Gourmont, and six others. Each selection includes an introduction by the translator. Hustvedt has performed a valuable service by providing this rich assortment of materials not otherwise readily available. Recommended for public and academic libraries.?
——T.L. Cooksey, Armstrong Atlantic State Univ., Savannah,

In fin-de-siècle France, progress and material prosperity coincided with widespread alarm about disease and decay. The obsessions of our own culture at the end of the millennium resonated in a striking manner with those of the last fin de siècle: crime, pollution, sexually transmitted disease, gender confusion, moral depravity, alcoholism, and tobacco and drug use were topics of constant popular discussion in both epochs. The Decadent Reader is a collection of novels and stories from fin-de-siècle France that celebrate decline, aestheticize decay, and take pleasure in perversity. By embracing the marginal, the unhealthy, and the deviant, these writers attacked bourgeois life, which they perceived as the chief enemy of art. Barbey d’Aurevilly, J.K. Huysmans, Jean Lorrain, Guy de Maupassant, Villiers de l’Isle-Adam, Catulle Mendès, Rachilde, Jean Moréas, Octave Mirbeau, Joséphin Peladan, and Remy de Gourmont looted the riches of their culture for their own purposes. From an age of medicine they borrowed its occult mysteries rather than its positivism. In its social Darwinism, they found their monsters: sadists, murderers, transvestites, fetishists, prostitutes, nymphomaniacs, and hysterics. And they reveled in them, completely upending the conventions of romance and sentimentality. The Decadent Reader, which includes novels and stories that have never before appeared in English, as well as reappraisals of work that the reader may already be familiar with, offers a compelling portrait of fin-de-siècle France.

Asti Hustvedt is an independent scholar who has written extensively on hysteria and literature. She has a Ph. D in French literature from New York University, is a member of Phi Beta Kappa, and the recipient of numerous grants and awards, including a Phi Betta Kapa Fellowship.