'One of the UK's most respected teachers of writing for stage and screen… this book will undoubtedly benefit playwriting hopefuls for generations, with its plain speaking, common sense and accessibility'
The Stage

'An absolute treat, no matter where you consider yourself to be as a writer… a book to return to time and time again, to use as inspiration, to cherish and to gift to other lovers of plays'
BritishTheatre.com

'A masterfully adept and complete guide to not only finding what you want to write about, but also how to do it… each page has at least one piece of invaluable advice that can be taken away and built on... a love letter to theatre and the craft of writing for the stage'
Broadway World

'A detailed, valuable resource for aspiring playwrights and a fascinating read for anyone who loves drama and the theatre'
Word Matters - Journal of the Society of Teachers of Speech and Drama

'Breaks the art of writing a play into accessible, digestible components without ever patronising the reader or dumbing down… very practical and immensely informative'
Ink Pellet magazine

'A gripping page-turner that will prove the perfect manual for anyone wishing to improve their playwriting skills… this highly readable and very entertaining book will enhance the enjoyment of general readers whenever they visit the theatre or even read playscripts at home. However, its target audience will be aspiring playwrights, who will learn a vast amount'
British Theatre Guide

'What Stephen Jeffreys doesn't know about playwriting isn't worth knowing'
Stephen Daldry

'Stephen Jeffreys is as important a teacher as he is brilliant a writer… Without him, I wouldn't have been able to write the plays that I have written'
Simon Stephens

'An incredibly useful writing helpmeet. As witty and humane as its author'
Emma Thompson

　　★A work by well-known playwright and a key figure at the Royal Court Theatre, London, Stephen Jeffreys.
　　★Drawing on a huge range of sources, it deconstructs playwriting into its constituent parts and offers illuminating insights to readers.
　　★Praised by The Stage, Broadway World, BritishTheatre.com and other media.

　　For over two decades, Stephen Jeffreys's remarkable series of workshops attracted writers from all over the world and shaped the ideas of many of today's leading playwrights and theatre-makers. Now, with this inspiring, highly practical book, you too can learn from these acclaimed Masterclasses.
　　Playwriting reveals the various invisible frameworks and mechanisms that are at the heart of each and every successful play. Drawing on a huge range of sources, it deconstructs playwriting into its constituent parts, and offers illuminating insights into:
　　Structure – an in-depth exploration of the fundamental elements of drama, enabling you to choose instinctively the most effective structure for your play
　　Character – advice on how to generate and write credible characters by exploring their three essential dimensions: story, breadth and depth
　　How to Write – techniques for writing great dialogue, dynamic scenes and compelling subtext, including how to improve your writing by approaching it from unfamiliar directions
　　What to Write – how to adopt different approaches to finding your material, how to explore the fundamental 'Nine Stories', and how to evaluate the potential of your ideas
　　Written by a true master of the craft, this authoritative guide will provide playwrights at every level of experience with a rich array of tools to apply to their own work.

　　Stephen Jeffreys (1950-2018) was a British playwright and a key figure at the Royal Court Theatre, London, where he was Literary Associate for eleven years, then a member of its Council. His celebrated playwriting workshops have influenced many writers.
　　Jeffreys' plays include The Libertine andI Just Stopped By to See the Man (Royal Court); Valued Friends and A Going Concern (Hampstead); Bugles at the Gates of Jalalabad (part of the Tricycle Theatre's Great Game season about Afghanistan); The Convicts' Opera (Out of Joint); Lost Land(starring John Malkovich, Steppenwolf, Chicago); The Art of War (Sydney Theatre Company) and A Jovial Crew(RSC). His adaptation of Dickens' Hard Times has been performed all over the world.
　　He wrote the films The Libertine (starring Johnny Depp) and Diana (starring Naomi Watts). He co-authored the Beatles musical Backbeat which opened at the Citizens Theatre and went on to seasons in London's West End, Toronto and Los Angeles. He translated The Magic Flute for English National Opera in Simon McBurney's production.