How I Came to Berlin
- Memoirs
- Categories:Artists & Authors Memoirs
- Language:English(Translation Services Available)
- Publication Place:Ireland
- Publication date:September,2025
- Pages:256
- Retail Price:(Unknown)
- Size:(Unknown)
- Text Color:(Unknown)
- Words:(Unknown)
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Feature
★How I Came to Berlin recounts her life’s turning points—from a childhood in Northern Ireland, through wartime London, to her 1946 move to East Berlin—interlaced with dozens of never-before-published sketches, cartoons, and photographs. Critics call it “an artist’s autobiography that is by turns elusive and moving, yet always deeply revealing.”
★Features more than 200 wartime sketches, East German political caricatures, original children’s-book artwork, and private snapshots, regarded as first-hand material for the study of twentieth-century women artists.
★The 2025 edition includes a new foreword by her daughter Anne.
Description
Born in Belfast in 1920 to Irish parents, Shaw was a life-long outsider, sheltered from the poverty and violence of the city at the liberal, left-wing Royal Academy. At the age of 12, her family moved to Bedford in England, and she would eventally go on to attend the Chelsea School of Art, impressing her teachers and absorbing the social and political struggles of her time. In 1939, she was called up to the war effort and worked in the London telephone exchange.
Having published sketches in 1940 and contributed to the London left-wing magazines Our Time and Lilliput, she exhibited works in 1943 at the Artists’ International Association in London. In 1944l, she met the Swiss-born émigré artist and communist René Graetz. They married in 1946 and, like other German exiles opposed to National Socialism, decided to help build a better, socialist Germany. Deeply inflected by the politics of East Germany, she worked as a caricaturist with Neues Deutschland, the newspaper of East Germany’s ruling Socialist Unity Party, before going on to write 23 enromously successful books for children, making her a household name across Germany.
By times elusive, moving and deeply revealing, this is a finely tuned memoir by one of Ireland’s great forgotten artists - now illustrated with many never-before-published illustrations, and with an insightful and enligtening afterword by Fergal Lenehan and Sabine Egger which delves into the under-explored aspects of Shaw’s relationship to Stalinism, the GDR, and those around her.





