"Every theatremaker should read this book."
-- Pippa Hill, Literary Manager, Royal Shakespeare Company

"Combines theoretical acumen with the assured know-how of a working dramatist."
——Times Literary Supplement

"A brilliantly illuminating, bang-up-to-date, unmissable read."
——April De Angelis

"A book of real theoretical heft written by a major working playwright." ——Steve Waters

"An essential accompaniment for anyone fascinated by the craft of dramatic storytelling."
——John Yorke

★In the Work, distinguished playwright David Edgar examines the mechanisms and techniques which dramatists throughout the ages have employed to structure their plays and to express their meaning.
★Both a masterclass for playwrights and playmakers and a fascinating guide to the anatomy of drama. In this revised edition, Edgar brings the book right up to date with analyses of many recent plays, as well as explorations of emerging genres and new innovations in playwriting practice.

Written for playwrights and playgoers alike, Edgar's analysis starts with the building blocks of whole plays—plot, character-creation, genre and structure—and moves on to scenes and devices. He shows how plays share a common architecture without which the uniqueness of their authors' vision would be invisible.

David Edgar is a leading UK playwright and author of many original plays and adaptations. He also pioneered the teaching of playwriting in the UK, founding the Playwriting Studies course at Birmingham University in 1989 and serving as the program's director for a decade. He is the author of several books, including How Plays Work (Nick Hern Books, 2009; revised 2021). His plays include: The New Real (Royal Shakespeare Company / Headlong, 2024); Here in America (Orange Tree Theatre, 2024); A Christmas Carol, adapted from the story by Charles Dickens (Royal Shakespeare Company, 2017); If Only (Minerva Theatre, Chichester, 2013); Written on the Heart (RSC, 2011); a version of Ibsen's The Master Builder (Minerva Theatre, Chichester, 2013); Arthur and George, adapted from the novel by Julian Barnes (Birmingham Rep and Nottingham Playhouse, 2010); Testing the Echo (Out of Joint, 2008); A Time to Keep, written with Stephanie Dale (Dorchester Community Players, 2007); Playing With Fire (National Theatre, 2005); Continental Divide (US, 2003); The Prisoner's Dilemma (RSC, 2001); Albert Speer, based on Gitta Sereny's biography of Hitler's architect (National Theatre, 2000); Dr. Jekyll and Mr. Hyde (Birmingham Rep, 1996); Pentecost (RSC, 1994); The Shape of the Table (National Theatre, 1990); and Maydays (1983). His work for television and film includes adaptations of his play Destiny, screened by the BBC in 1978, and The Jail Diary of Albie Sachs, televised by the BBC in 1981, as well the screenplay for the film Lady Jane (1986). He has also authored several radio plays.