Homecoming
- Familysocial novelLiang Xiaosheng
- Categories:Contemporary Short Stories & Anthologies Urban Life
- Language:Simplified Ch.
- Publication Place:Chinese Mainland
- Publication date:August,2022
- Pages:240
- Retail Price:49.00 CNY
- Size:(Unknown)
- Text Color:Black and white
- Words:196K
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Review
——People's Daily (Overseas Edition)
Despite vast changes since the 1990s, Liang Xiaosheng's impassioned voice remains uniquely powerful — his works continue to offer readers genuine intellectual fulfillment, just as he does for his students as a devoted professor.
—Zhang Yiwu, Literary Critic
Feature
★Spotlight on ordinary lives in extraordinary times: People such as Taxi drivers, factory workers, rural teachers, farmers, etc. in Spring Festival travel rush, Wenchuan earthquake, Reform and Opening-Up an
urbanization.
★A poignant symphony of "home": Four stories across different eras, united by one theme — an intimate "epic" of family life.
★Revealing humanity's brilliance in mundane struggles, discovering dreams' resilience amid adversity.
Description
Included works span from acclaimed pieces originally published in "Fiction Monthly", "Selected Novellas", and "Chinese Literature Selections" to recent creations. Liang documents the common people's hardships and hopes, faith and disillusionment, noble virtues and unjust struggles.
With profound humanistic compassion and sharp sociological insight, these stories embody:
• Unflinching humanitarianism
• Deep reverence for grassroots resilience
• Masterful chronicling of China's social metamorphosis
Author
Some readers consider Liang Xiaosheng as the “Chinese Balzac,” because he is committed to writing a “social encyclopedia” and portraying the destinies of people from all walks of life. His works are often used as important texts for studying and understanding Chinese social and cultural developments between the 1980s and 2020s. His work Chinese Peach and Plum is included in the collections of many overseas libraries. His work Father is selected as a textbook for advanced Chinese courses published by the University of Washington Press in the United States.
He has so far created more than ten million words of works, including essays, novels, miscellaneous discussions, and documentary literature. His representative work, The Story of "A Lifelong Journey", won the 10th Mao Dun Literature Prize. This novel has a cumulative circulation of more than 2 million copies and are called the “fifty-year history of Chinese people's lives”. The TV drama adapted from it caused a nationwide viewing craze as soon as it was broadcast and set a new record for the prime-time viewership of CCTV (with a total audience scale of 371 million people). Disney purchased the overseas distribution rights of the drama in the first month of its production. His another long novel Snow City is selected into the “70 Classic Chinese Novels of New China's 70 Years”.
His works have been translated into English, French, Russian, Japanese, and Italian. The author was awarded as one of the “Top Ten Writers of the 2024 Hall of Fame Annual Humanities List”. In 2023, he was named as the “Cultural Figure of the Year” among the “2022 Annual Influential People” by China Newsweek. Since 1984, his name has been listed in the "World Who's Who" in the United States, the United Kingdom and Australia.
Contents
The Exhausted Man / 027
Mountain Flowers / 124
On the Ruins of the Old Manor / 187
Foreword
The man replied, “Not a very good one. You might as well confess, last night you wanted to stay in the same room with those two girls. What were you thinking?”
“I was trying to protect them! I also thought that you brought us to your home with ill intentions!”
“Then you’re judging a gentleman by a villain’s standard...”
“Where do you look like a gentleman? Don’t you even look at yourself in the mirror? Would a gentleman be someone like you?”
“I know I don’t look like a gentleman without you pointing it out. I wasn’t even a good person before, and often intended to be a villain. I did things that harmed others for my own benefit without any regrets. But in the Wenchuan earthquake, a close relative of mine, a family of three, none of them died. It can’t be called very lucky, as they were all trapped in the house and had to be dug out at the risk of others’ lives. At that tragic moment, I wanted to remember the faces of our saviors, but I couldn’t tell who was who as soon as I turned my head. Since then, I’ve always wanted to do something good if I ever got the chance. In one’s life, if you’ve tasted all the good food, it’s called not wasting your mouth. If you haven’t done anything bad, it’s called not wasting your conscience. But if you’ve done a few good deeds, that’s called living a noble life. Who, whether man or woman, wouldn’t want the chance to be noble...?”





