Chinese Cinema:Identity, Power, and Globalization
- FilmMediaFine Arts Crossings: Asian Cinema and Media Culture
- Categories:Films & Video
- Language:English(Translation Services Available)
- Publication date:July,2022
- Pages:268
- Retail Price:(Unknown)
- Size:(Unknown)
- Page Views:8
- Words:(Unknown)
- Star Ratings:
- Text Color:Black and white
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Review
—Yiu-Wai Chu, The University of Hong Kong; author of Main Melody Films: Hong Kong Directors in Mainland China
“Chinese Cinema: Identity, Power, and Globalization offers a collection of studies of modern Chinese films and their global connections, with a contemporary emphasis. Its authors’ insightful analyses of films—famous, obscure, and new to the twenty-first-century screen—elucidate numerous contextual factors relevant for understanding the history and aesthetics of Chinese cinemas.”
—Christopher Rea, The University of British Columbia; author of Chinese Film Classics, 1922–1949
Description
Author
Russell Meeuf is a professor in the School of Journalism and Mass Media, University of Idaho.
Jing Jing Chang is an associate professor of film studies at Wilfrid Laurier University.
Contributors:
Qi Ai, Shandong University
Katherine Chu, California State University
Lin Feng, University of Leicester
Po-Shek Fu, University of Illinois
Alison M. Groppe, University of Oregon
Belinda Q. He, University of Maryland
Yushi Hou, University of Southampton
Joseph Tse-Hei Lee, Pace University
Shiying Liu, University of Nottingham
Xi W. Liu, University of Sheffield
Kenny Kwok Kwan Ng, Hong Kong Baptist University
Stanley Rosen, University of Southern California
Wendy Su, University of California Riverside
Man-Fung Yip, University of Oklahoma