Tsui Hark’s Peking Opera Blues
- FilmMediaFine Arts The New Hong Kong Cinema
- Categories:Films & Video
- Language:English(Translation Services Available)
- Publication date:May,2016
- Pages:248
- Retail Price:(Unknown)
- Size:143mm×195mm
- Page Views:176
- Words:(Unknown)
- Star Ratings:
- Text Color:Black and white
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Review
Description
The challenge to a single definition of “Chinese” is also embodied by the playful pastiches of diverse materials. In a series of intertextual readings, Tan reveals the full complexity of Peking Opera Blues by placing it at the center of a web of texts consisting of Tsui’s earlier film Shanghai Blues (1984), Hong Kong’s Mandarin Canto-pop songs, the “three-women” films in Chinese-language cinemas, and of course, traditional Peking opera, whose role-types, makeup, and dress code enrich the meaning of the film.
In Tan’s portrayal, Tsui Hark is a filmmaker who makes masterly use of postmodernist techniques to address postcolonial concerns. More than a quarter of a century after its release, Tan shows, Peking Opera Blues still reverberates in the present time.