Peter Brook series: Battlefield
- play
- Categories:Performing Arts
- Language:English(Translation Services Available)
- Publication date:September,2017
- Pages:40
- Retail Price:(Unknown)
- Size:198mm×129mm
- Page Views:181
- Words:(Unknown)
- Star Ratings:
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Review
'An hour of magic realism… it has a gentle power that lingers' - The Times
‘Delivered with remarkable grace and deceptive lightness of touch’ - Financial Times
'Luminous and potent' - Independent
'Combines the immediacy of story-telling with the purity of Greek tragedy' - Sunday Express
'Something profound is felt on the pulse here... Peter Brook achieves rare magic, and with the slenderest art' - Telegraph
Feature
● Rights sold for titles on reflections:
The Quality of Mercy: Mainland China, Brazil/Portugal, France, Germany, Italy, Macedonia, Poland, Slovakia, Spain and Czech radio
Tip of the Tongue: Brazil, France, Slovakia, Spain
Playing by Ear:France
● Performance tour for plays:
Battlefield and Prisoner have been on an international tour, and Why? visited Beijing last October.
● High acclaims by Guardian, The Stage, Wall Street Journal and British Theatre Guide, etc.
7 titles:
4 titles on reflections: The Quality of Mercy, Tip of the Tongue, Playing by Ear, Evoking (and forgetting!) Shakespeare
3 plays: Battlefield, Prisoner, Why?
Description
In Battlefield, the internationally renowned team of Peter Brook, Marie-Hélène Estienne and Jean-Claude Carrière revisit the great Indian epic The Mahabharata, thirty years after Brook’s legendary production took world theatre by storm.
An immense canvas in miniature, this central section of the ancient text is timeless and contemporary, asking how we can find inner peace in a world riven with conflict.
It was first performed at Théâtre des Bouffes du Nord, Paris, in 2015, before an international tour including a run at the Young Vic Theatre, London, in 2016.
Author
Outstanding in a career full of remarkable achievements are his productions of Titus Andronicus (1955) with Laurence Olivier, King Lear (1962) with Paul Scofield, and The Marat/Sade (1964) and A Midsummer Night’s Dream (1970), both for the Royal Shakespeare Company.
Since moving to Paris and establishing the International Centre for Theatre Research in 1970 and the International Centre for Theatre Creation when he opened the Bouffes du Nord in 1974, he has produced a series of events which push at the boundaries of theatre, such as Conference of the Birds (1976), The Ik (1975), The Mahabharata (1985) and The Tragedy of Carmen (1981) to name but a few.
His films include Lord of the Flies (1963), King Lear (1970), The Mahabharata (1989), Tell Me Lies (restored 2013) and Meetings with Remarkable Men (restored 2017).
His hugely influential books, from The Empty Space (1968) to The Quality of Mercy (2013) and Tip of the Tongue (2017), have been published in many languages throughout the world.